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[[File:De Chirico's Love Song.jpg|thumb|left|upright|[[Giorgio de Chirico]], 1914, pred[[nadrealizam]]]]
[[File:Leger railway crossing.jpg|thumb|upright|[[Fernand Léger]], 1919, [[sintetski kubizam]], [[tubizam]]]]
Naslijeđe slikara kao [[Van Gogh]], [[Cézanne]], [[Gauguin]] i [[Seurat]] bilo je ključno za razvoj moderne umjetnosti. Početkom 20. vijeka [[Henri Matisse]] i nekoliko drugih umjetnika uključivši i predkubiste [[Georges Braque|Georgesa Braquea]], [[André Derain|Andréa Deraina]], [[Raoul Dufy|Raoula Dufyja]] i [[Maurice de Vlaminck|Mauricea de Vlamincka]] revolucioniralo je parišku umjetnost "divljim", višebojnim ekspresivnim pejzažima i figurativnim slikama koje će kritičari nazvati [[fovizam]] (vidljivo u galeriji više). [[Henri Matisse|Matisseva]] druga verzija slike ''[[Ples (slika)|Ples]]'' označava ključnu točku u njegovoj karijeri i razvoju moderne umjetnosti.<ref>Russell T. Clement. ''Four French Symbolists''. [[Greenwood Press]], 1996. str. 114.</ref> Ona reflektira i Matissevu početnu fasciniranost [[primitivna umjetnost|primitivnom umjetnošću]]: intenzivne tople boje nasuprot hladnoj plavozelenoj pozadini i ritmički slijed golih figura plesača prenosi nam osjećaj emocionalnog oslobođenja i [[hedonizam|hedonizma]]. [[Pablo Picasso]] je oslikao svoje prve [[kubizam|kubističke]] radove na temelju Cézanneove ideje da sav prikaz prirode može biti sveden na prikaz triju geometrijskih tijela: [[kocka|kocke]], [[kugla|kugle]] i [[stožac|stošca]]. Sa likovnim djelom ''[[Gospođice iz Avignona]]'' iz 1907., (vidi galeriju slika) Picasso je na dramatični način stvorio novu i radikalnu sliku sirove i primitivne scene iz javne kuće s pet prostitutki, agresivno nslikanihnaslikanih žena, koje podsjećaju na afričke domorodačke maske i tako stvorio svoji vlastiti novi smjer [[kubizam|kubizma]]. [[Kubizam]] (vidi galeriju slika) su zajednički razvili Pablo Picasso i [[Georges Braque]], što je vidljivo na primjeru slike ''Violina i sviječnjak'' (vidi gore) od oko 1908. do 1912.Prve jasne manifestacije kubizma vidljive su u djelima Braquea, Picassa, [[Jean Metzinger|Jeana Metzingera]], [[Albert Gleizes|Alberta Gleizesa]], [[Fernand Léger|Fernanda Légera]], [[Henri Le Fauconnier|Henria Le Fauconniera]] i [[Robert Delaunay|Roberta Delaunaya|]]. [[Juan Gris]], [[Marcel Duchamp]], [[Alexander Archipenko]], [[Joseph Csaky]] i drugi slikari su im se ubrzo pridružili.<ref name="Christopher Green">{{cite web|url=http://www.moma.org/collection/details.php?theme_id=10068&displayall=1#skipToContent |title=Christopher Green, 2009, Cubism, MoMA, Grove Art Online, Oxford University Press |publisher=Moma.org |date= |accessdate=2014-08-08}}</ref> [[Sintetički kubizam]], kojeg su prakticirali Braque i Picasso, karakteriziran je uvođenjem različitih tekstura, površina, elemenata [[kolaž]]a, [[papier collé]]a i raznovrsnih predmeta priljepljenih zajedno.<ref name="Christopher Green" />
[[File:Rousseau-Hungry-Lion.jpg|thumb|250px|[[Henri Rousseau]], 1905, razlog zbog čega je stil [[fovizam]] dobio ime je ovaj originalni prikaz "divlje životinje"]]
[[File:Juan Gris - Portrait of Pablo Picasso - Google Art Project.jpg|thumb|250px|left|[[Juan Gris]], 1912., [[kubizam]]]]
TheJesenski salon (''[[Salon d'Automne]] of'') 1905. broughtdonio notorietyje andslavu attentioni toskrenuo thepažnju workskritike ofna radove [[Henri Matisse|Henrija Matissea]] andi [[Fauvismfovizam|fovizma]]. ThePokret groupje gaineddobio their nameime, afterprema criticčuvenoj kritici [[Louis Vauxcelles|Louisa Vauxcellesa]] describedkoji theirje workopisao withnjihov therad phrasekao "[[Donatello]] chezes fauves" ("Donatello among themeđu wilddivljim beastszvjerima"),<ref name="Gil Blas, 17 October 1905">[http://gallica.bnf.fr/ark:/12148/bpt6k7522165g/f5.image Louis Vauxcelles, ''Le Salon d'Automne'', Gil Blas, 17. Octoberoktobar 1905. ScreenPrikaz 5 andi 6. Gallica, Bibliothèque nationale de France], {{ISSN|1149-9397}}</ref> contrastingpošto thesu paintingsnjihove withslike abile [[Renaissance]]-typeizložene u sculptureistoj thatprostoriji sharedsa theskulpturama roomu withstilu themrenesanse.<ref name=oup-fauvism>Chilver, Ian (Ed.). [http://www.enotes.com/oxford-art-encyclopedia/fauvism "Fauvism"], The Oxford Dictionary of Art, Oxford University Press, 2004. 26. Decemberdecembar 2007.</ref> [[Henri Rousseau]] (1844–19101844.–1910.), anumjetnik artistkojeg thatje Picasso knewpoznao andi admireddivio andmu whose wasi notkoji anije Fauve,pripadao hadu hispokret largefovizma, [[jungle]]izložio sceneje "Thesvoju Hungrysliku Lionvelikih Throwsdimenzija Itselfs onprikazom thedžungle Antelope"Gladni alsolav hangingse nearbaca thena worksantilopu" byodmah Matissedo andMatisseovih whichslika, mayšto haveje had an influence onmoglo theutjecati particularna [[SarcasmSarkazam|sarcasticsarkastične]] termtonove usedprisutne inu theondašnjoj pressštampi.<ref>Smith, Roberta. "[http://www.nytimes.com/2006/07/14/arts/design/14rous.html?_r=1&oref=slogin&pagewanted=print Henri Rousseau: In imaginary jungles, a terrible beauty lurks]". ''The New York Times'', 14. Julyjuli 2006. Retrieved on 29. Decemberdecembar 2007.</ref> Vauxcelles'Vauxcelleov commentkomentar wasje printed onštampan 17. Octoberoktobra 1905. u in the dailydnevnim newspapernovinama ''[[Gil Blas (periodical)|Gil Blas]]'', andi potom se passedproširila intokao popularpopularni usagetermin.<ref name=oup-fauvism/><ref>Elderfield, 43</ref>
AlthoughIako thesu picturesslike werebile widelynaširoko derided—"Aismijane pot(likovna ofkritičarka paintCamille hasMauclair been flung(1872.–1945.) inih theje facedefinirala ofkao the public",kantica declareds thebojom criticbačena Camilleu Mauclairlice (1872–1945publici")—they, ipak alsosu attractedprivukle someponešto favorablepozitivnih attentionkritika.<ref name=oup-fauvism/> ThePosebno paintingse thatnašla wasmetom singlednapada outMatisseova for the most attacks was Matisse'sslika ''[[WomanŽena withsa a Hatšeširom]]'';, thetako purchaseda ofje thisnaknadna workkupovina byove slike od strane [[Gertrude Stein|Gertrude]] andi [[Leo Stein|Lea Stein]] had aimala veryvrlo positivepozitivni effectefekt onna MatisseMatissea, whonakon wasšto sufferingje demoralizationbio fromvrlo thedemoraliziran badzbog receptionloše ofpercepcije hisnjegovih workdjela.<ref name=oup-fauvism/>
During the years between 1910 and the end of World War I and after the heyday of [[cubism]], several movements emerged in Paris. [[Giorgio de Chirico]] moved to Paris in July 1911, where he joined his brother Andrea (the poet and painter known as [[Alberto Savinio]]). Through his brother he met Pierre Laprade a member of the jury at the [[Salon d'Automne]], where he exhibited three of his dreamlike works: ''Enigma of the Oracle'', ''Enigma of an Afternoon'' and ''Self-Portrait''. During 1913 he exhibited his work at the [[Salon des Indépendants]] and Salon d’Automne, his work was noticed by [[Pablo Picasso]] and [[Guillaume Apollinaire]] and several others. His compelling and mysterious paintings are considered instrumental to the early beginnings of [[Surrealism]]. ''[[The Song of Love (Giorgio de Chirico)|Song of Love]]'' 1914, is one of the most famous works by de Chirico and is an early example of the [[Surrealism|surrealist]] style, though it was painted ten years before the movement was "founded" by [[André Breton]] in 1924 (see gallery).
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