Khnumhotep i Niankhkhnum – razlika između verzija
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Red 6:
U sceni gozbe Khnumhotepa i Niankhkhnuma zabavljaju igrači, muzičari, pevači i posmatrači, u drugoj sceni oni nadgledaju pripreme za njihovu sahranu. U najznačajnijoj sceni njih dvojica se grle i dodiruju nosevima, što je najintimnija poza koju je dozvoljavala kanonska [[egipatska umetnost]]; okruženi su osobama koje bi trebalo da predstavljaju njihove naslednike.
== Eksterni linkovi ==
{{Commonscat|Mastaba of Niankhkhum and Khnumhotep}}▼
* [http://www.egyptology.com/niankhkhnum_khnumhotep/index.html Gallery and background], egyptology.com
*[http://www.egyptology.com/niankhkhnum_khnumhotep/floorplan.html References and bibliography], egyptology.com
*[http://www.timesonline.co.uk/article/0,,2087-1965612,00.html "Mwah . . . is this the first recorded gay kiss?"] ''The Sunday Times,'' [[January 1]], [[2006]]
Red 14:
*[http://links.jstor.org/sici?sici=0043-8243(200010)32%3A2%3C193%3ASDCCAT%3E2.0.CO%3B2-C "Same-Sex Desire, Conjugal Constructs, and the Tomb of Niankhkhnum and Khnumhotep,"] Greg Reeder, ''World Archaeology'', Vol. 32, No. 2, Queer Archaeologies (Oct., 2000), pp. 193-208
==
{{reflist}}
{{LGBT istorija}}
▲{{Commonscat|Mastaba of Niankhkhum and Khnumhotep}}
[[Kategorija:Drevni Egipat]]
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