To the right of the road, some little distance before reaching the mosque, a very quaint, large high-relief has been sculptured on the face of a huge rock and is reflected upside down in a pond of water at its foot. Men were bathing here in long red or blue drawers, and hundreds of donkeys were conveying veiled women to this spot. An enormous tree casts its shadow over the pool of water in the forenoon.

It is interesting to climb up to the high-relief to examine the figures more closely. The whole sculpture is divided into three sections separated by columns, the central section being as large as the two side ones taken together. In the centre is Fath-ali-shah—legless apparently—but supposed to be seated on a throne. He wears a high cap with three aigrettes, and his moustache and beard are of abnormal length. In his belt at the pinched waist he disports a sword and dagger, while he holds a bâton in his hand. There are nine figures to his right in two rows: the Naib Sultaneh, Hussein Ali, Taghi Mirza, above; below, Mahommed, Ali Mirza, Fatali Mirza, Abdullah Mirza, Bachme Mirza, one figure unidentified. To the Shah's left the figures of Ali-naghi Mirza and Veri Mirza are in the lower row; Malek Mirza, the last figure to the left, Hedar Mirza and Moh-Allah-Mirza next to Fath-Ali-Shah. All the figures are long-bearded and garbed in long gowns, with swords and daggers. On Fath-Ali-Shah's right hand is perched a hawk, and behind his throne stands an attendant with a sunshade, while under the seat are little figures of Muchul Mirza and Kameran Mirza. There are inscriptions on the three sides of the frame, but not on the base. A seat is carved in the rock by the side of the sculpture.