Razlike između izmjena na stranici "Vincent van Gogh"

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| caption3 = ''Maslinova drva sa planinom Alpili u pozadini'', 1889, Museum of Modern Art, Njujork.
| alt3 = A starless, moonless evening sky of middle blue with two large white clouds are above darker blue twisting hills in the distance. In the foreground is a grove of Olive trees, that extend horizontally across the whole painting, towards the bottom is a winding, twisting path that extends horizontally across the painting}}
Van Gog je crtao i slikao sa [[Akvarel|vodenim bojama]] dok je bio u školi — mada je mali broj tih slika sačuvan, a i autorstvo je dovođeno u pitanje za neke od njih.<ref>Van Heugten (1996), pp. 246–51</ref> Kad se posvetio umetnosti kao odrasla osoba, on je počeo na elementarnom nivou, kopirajući ''Cours de dessin'', kurs crtanja koje je uredio [[Charles Bargue]]. U toku dve godine on je počeo provizije. Proleća 1882, njegov ujak, Cornelis Marinus, vlasnik dobro stojeće galerije savremenih umetnosti u Amsterdamu, zatražio je od njega crteže Haga. Van Gogov rad nije zadovoljio očekivanja njegovog ujaka. Marinus mu je ponudio drugi posao, ovog puta dajući detalja opis predmeta, ali je još jednom bio razočaran rezultatom. Uprkos toga, Van Gog je istrajao. On je poboljšao osvetljenje svog studija istaliranjem raznih šalona i eksperimentisao je sa mnoštvom materijala za crtanje. Više od godinu dana je radio na pojedinačnim ličnostima – visoko razrađenje studije „crnom i belom“,<ref>Artists working in ''Black & White'', i.e., for illustrated papers like ''The Graphic'' or ''Illustrated London News'' were among Van Gogh's favorites. See Pickvance (1974/75)</ref> kojima je u to vreme zaradio samo kritike. Danas, oni su priznati kao njegovi prva remekdela.<ref>See Dorn, Keyes & alt. (2000)</ref>
 
[[File:Whitehousenight.jpg|thumb|left|upright|''Bela kuća u noći'', 1890, Hermitage Museum, St. Petersburg, naslikana šest nedelja pre smrti umetnika|alt=A white two-story house at twilight, with 2 cypress trees on one end, and smaller green trees all around the house, with a yellow fence surrounding it. Two women are entering through the gate in the fence; while a woman in black walks on by going towards the left. In the sky, there is a bright star with a large intense yellow halo around it]]
Početkom 1883, on je počeo da radi na kompozicijama sa više figura, koje je on bazirao na svojim crtežima. HeOn hadje someneke ofod themnjih photographedfotografisao, butali whenkada hisje brothernjegov remarkedbrat thatje theynapomenuo lackedda livelinesssu andim freshnessnedostajaje živost i svežina, heon destroyedje themuništio andfotografije turnedi tookrenuo oilse paintingslikarstvu uljanim bojama. ByDo Autumnjeseni 1882, his brothernjegov hadbrat enabledmu himje financiallyfinansijski toomogućio turnda outzavrši hissvoje firstprve paintingsslike, butali allje thesav moneynovac Theoubrzo couldbio supply was soon spentpotrošen. Then, in springProleća 1883, Van GoghGog turnedse toobratio renownedrenominaranim [[Hagueumetnicima Haške School]]škole, kao artistsšto likesu [[Johan Hendrik Weissenbruch|Weissenbruch]] andi [[Bernard Blommers|Blommers]], andi receiveddobio technicalje supporttehničku frompodršku themod njih, as well askao fromi paintersod likeslikara [[Théophile de Bock|De Bock]] andi [[Herman Johannes van der Weele|Van der Weele]], both second generation Hague School artists.<ref name="DSS">See Dorn, Schröder & Sillevis, ed. (1996)</ref> WhenKada hese movedpreselio tou Nuenen afternakon theperioda intermezzo inu Drenthe heon beganje severalpočeo large-sizedrad paintingsna butnekoliko destroyedslika mostvelikih ofdimenzija, themali ih je potom uništio. ''[[TheLjudi koji Potatojedu Eaterskrompir]]'' andi itsnjeni companionprateći pieceskomadi – ''TheStara Old Towerkula'' on thena Nuenen cemeterygroblju andi ''The CottageKoliba'' – aresu thejedine onlysačuvane ones to have survivedslike. Following a visit toNakon theposete [[Rijksmuseum]], Van GoghGog wasje awarebio thatsvestan manyda ofmnoge hisod faultsnjegovih weremana dueposledica tonedovljnog lacktehničkog of technical experienceiskustva.<ref name="DSS"/> SoStoga inje Novembernovembra 1885. he traveledotišao toza [[Antwerp]] andi laterkasnije toza Paris toda learnuči andi developrazvija hissvoje skillumeće.<ref>See Welsh-Ovcharov & Cachin (1988)<!-- page(s)?? --></ref>
 
AfterNakon becomingupoznavanja familiarsa withimpresionističkim Impressionisti and Neoneo-Impressionistimpresionističkim techniquestehnikama andi theoriesteorijama, Van GoghGog wentje tootišao u Arles toda develop onrazvije thesete newnove possibilitiesmogućnosti. ButMeđutim withinubrzo asu shortse time,stare olderideje ideaso onumetnosti arti andradu workponovo reappeared:pojavile, ideasideje suchkao asšto workingje withrad [[serialsa imagery]] onserijskim relatedsnimicima orsrodnih contrastingili subjectkontrastnih matterpredmeta, whichkoja wouldće reflectse onodraziti thena purposessvrhe of artumjetnosti. AsS hisnapretkom worknjegovog progressedrada, heon paintedje manynapravio ''[[Self-portraitsmnoštvo by Vincent van Gogh|Self-portraits]]''samoportreta. Already inVeć 1884. inu Nuenen he had worked on aje seriesradio thatna wasseriji tokoja decorateje thetrebala diningda roomukrasi oftrpezariju ajednog friendprijatelja inu EindhovenAjndhovenu. SimilarlySlično intome u Arles, in springproleća 1888 heon arrangedje hisorganizovao svoje ''[[FloweringCvetajuće Orchards (Van Gogh series)|Flowering Orchards]]voćnjake'' intou triptychstriptihe, beganpočevši aseriju seriesslika ofkoja figurespostala thatdeo found''Rolingove its end inporodične serije''[[The, Roulini Familykonačno, (Vankad Goghse series)[[Paul Gauguin|The Roulin Family seriesGogen]]'', andsložio finally,da whenradi Gauguini hadživi consentedu toArles workrame anduz liverame in Arles side-by-side withsa Van GoghGogom, heon startedje topočeo workrad onna ''[[TheDekoraciji Décorationza foržutu the Yellow House|The Décorations for the Yellow House]]kuću'', whichkoja wasje bypo somenekim accountsgledištima thenajambiciozniji mostpoduhvat ambitiouskoji effortje heon everikad undertookpoduzeo.<ref name="d1909">See Dorn (1990)</ref> Most of his later work is involved with elaborating on or revising its fundamental settings. In the spring of 1889, he painted another, smaller group of orchards. In an April letter to Theo, he said, "I have 6 studies of Spring, two of them large orchards. There is little time because these effects are so short-lived."<ref name="H385">Hulsker (1980), 385</ref>
 
ArtIstoričar historianumetnosti [[Albert Boime]] believessmatra thatda je Van GoghGogevenčak ini seeminglyu fantasticalprividno compositionsfantastičnim likekompozicijama poput ''StarryZvezdane Nightnoći'' – basedbazirao hissvoj workrad inna realityrealnosti.<ref>Boime (1989)</ref> The ''[[WhiteBela Housekuća atu Night]]noći'', showsprikazuje akuću houseu atsutonu twilightsa withprominentnom azvezdom prominentokruženom staržutim surroundedoreolom byna a yellow halo in the skynebu. AstronomersAstronomi atsa [[SouthwestJužnozapadnog Texasteksaškog Statedržavnog University]]instituta inu San MarcosMarkosu calculatedsu thatproračunali theda starje ista Venuszvezda Venera, whichkoja wasje brightbila insvetla thena eveningvečernjem skynebu in Junejuna 1890. whenkad Vanse Goghpretpostavlja isda believedje to haveVan paintedGog thenapravio picturesliku.<ref>At around 8:00&nbsp;pm on 16 June 1890, as astronomers determined by [[Venus]]'s position in the painting. [http://news.bbc.co.uk/2/hi/europe/1209192.stm Star dates Van Gogh canvas], [[BBC News]], 8 March 2001.</ref>
 
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