Datoteka:Detail Junction of sides B & A of the Portland Vase. Cameo-glass, probably made in Italy ca. 5-25 AD (7977553688).jpg
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Opis izmjene
OpisDetail Junction of sides B & A of the Portland Vase. Cameo-glass, probably made in Italy ca. 5-25 AD (7977553688).jpg |
The most famous cameo-glass vessel from antiquity The scenes on the Portland Vase have been interpreted many times with a historical or a mythological slant. It is enough to say that the subject is clearly one of love and marriage with a mythological theme. The ketos (sea-snake) places it in a marine setting. It may have been made as a wedding gift. It is not known exactly where and when the vase was found. It is recorded as being seen in 1601 when it was in the collection of Cardinal del Monte in Italy. After the cardinal's death it was bought by the Barberini family where it remained for 150 years. Eventually, in 1778, it was purchased by Sir William Hamilton, British Ambassador at the Court of Naples. He brought it to England and sold it to Margaret, dowager Duchess of Portland, less than two years later, in 1784. In 1786 it came into the hands of her son, the third Duke of Portland, and it was he who lent it to Josiah Wedgwood, who made it famous through various copies. It was deposited in The British Museum by the fourth Duke of Portland in 1810 where it remained, apart from three years (1929-32) when it was put up for sale at Christie's, but failed to reach its reserve. It was purchased by the Museum from the seventh duke of Portland in 1945. The bottom of the vase was probably broken in antiquity. It is likely that it originally ended in a point like a fine cameo-glass vessel from Pompeii. A cameo-glass disc, showing a pensive Priam, was attached to the bottom from at least 1826, but it clearly does not belong to the vase, and has been displayed separately since 1845. Cameo-glass vessels were probably all made within about two generations as experiments when the blowing technique (discovered in about 50 BC) was still in its infancy. Recent research has shown that the Portland vase, like the majority of cameo-glass vessels, was made by the dip-overlay method, whereby an elongated bubble of glass was partially dipped into a crucible (fire-resistant container) of white glass, before the two were blown together. After cooling the white layer was cut away to form the design. The cutting was probably performed by a skilled gem-cutter. Source: www.britishmuseum.org/explore/highlights/highlight_object... |
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Autor | Carole Raddato from FRANKFURT, Germany |
Lokacija kamere | 51° 30′ 33,78″ S, 0° 07′ 01,46″ Z | Ova i druge slike na njihovim lokacijama na: OpenStreetMap | 51.509383; -0.117073 |
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Ovu sliku, izvorno postavljenu na Flickru, pregledao je 28. prosinca 2013. administrator ili provjeritelj licencija File Upload Bot (Magnus Manske), koji je utvrdio da je je bila dostupna na Flickru na taj datum pod navedenom licencijom. |
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prikazuje
status autorskog prava Bosanski
zaštićeno autorskim pravima Bosanski
licenca Bosanski
5 juli 2012
koordinate tačke gledišta Serbian (Latin script)
51°30'33.779"N, 0°7'1.463"W
vreme ekspozicije Srpski (transliteracija)
0.03333333333333333333 sekund
žižna razmera Srpski (transliteracija)
3,3
fokalna dužina Bosanski
7,9 milimetar
ISO brzina Srpski (transliteracija)
100
vrsta medija na Internetu Serbian (Latin script)
image/jpeg
izvor datoteke Srpski (transliteracija)
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Datum/vrijeme | Minijatura | Dimenzije | Korisnik | Komentar | |
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aktualna | 19:27, 28 decembar 2013 | 2.907 × 4.080 (8,32 MB) | File Upload Bot (Magnus Manske) | Transferred from Flickr by User:Marcus Cyron |
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Metapodaci
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Naslov slike | OLYMPUS DIGITAL CAMERA |
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Proizvođač kamere | OLYMPUS IMAGING CORP. |
Model kamere | SP800UZ |
Vrijeme izlaganja (ekspozicije) | 1/30 sekundi (0,033333333333333) |
F broj | f/3,3 |
Rejting ISO brzine | 100 |
Datum i vrijeme generisanja podataka | 14:02, 5 juli 2012 |
Fokusna dužina objektiva | 7,9 mm |
Orijentacija | Normalna |
Horizontalna rezolucija | 72 dpi |
Vertikalna rezolucija | 72 dpi |
Korišteni softver | Version 1.0 |
Vrijeme i datum promjene datoteke | 22:37, 11 septembar 2012 |
Pozicioniranje Y i C | Uporedo |
Program ekspozicije | Kreativni program (usmjeren ka dubini polja) |
Exif verzija | 2.21 |
Datum i vrijeme digitalizacije | 14:02, 5 juli 2012 |
Značenje pojedine komponente |
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Dubina boje poslije sažimanja | 4 |
Kompozicija ekspozicije | 0 |
Najveći broj otvora blende | 2,97 APEX (f/2,8) |
Način mjerenja | Šema |
Izvor svjetlosti | Nepoznat |
Bljesak | Bljesak (blic) nije radio, obavezno izbjegavanje bljeska |
Podržana verzija Flashpix | 1 |
Prostor boje | sRGB |
Izvor datoteke | Digitalna fotokamera |
Vrsta scene | Direktno fotografisana slika |
Podešeno uređivanje slike | Normalni proces |
Vrsta ekspozicije | Automatska ekpozicija |
Bijeli balans | Automatski bijeli balans |
Odnos digitalnog zuma | 0 |
Fokusna dužina kod 35 mm filma | 44 mm |
Vrsta scene snimanja | Standardna |
Kontrola scene | Malo povećanje |
Kontrast | Normalni |
Saturacija | Normalna |
Izoštrenost | Normalna |